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    <loc>https://www.kalosstudios.com/contact</loc>
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    <lastmod>2023-06-07</lastmod>
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    <loc>https://www.kalosstudios.com/duermete</loc>
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    <lastmod>2020-09-08</lastmod>
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      <image:title>Duermete - Monster Mash</image:title>
      <image:caption>Written by Freddy Chávez and Victor Osuna, Duérmete Niño is a highly-awarded horror short that gives audiences a terrifying glimpse into a new dark and intriguing supernatural universe. The short is full of stunning practical and CG effects, a seamless marriage of the two as the perfect testament to Chavez’s deep understanding and love of both. Kalos Studios was brought in to tackle the one minute long opening title shot. With Chávez’s vision as a guide, we post-visualized the camera animation, FX simulations, and ensured a seamless transition from the title to the film. We also captured the dense, high-resolution mesh of the hero crucifix for a full CG replacement, handing it off for lighting, shading and compositing by Barnstorm VFX Vancouver. It was an inspiring example of studios creatively supporting a talented director to bring a new voice to horror. Make sure to check out the official site for the full film.</image:caption>
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    <loc>https://www.kalosstudios.com/wtsgo-1</loc>
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    <lastmod>2021-05-25</lastmod>
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      <image:title>WTSGO - Teen Spirit</image:title>
      <image:caption>Directed by Rebecca Thomas and written by Chris Hutton and Eddie O’Keefe, When the Streetlights Go On is an enthralling coming of age tale set in a quiet, all too familiar small town in the mid 90s. As a period piece set 25 years ago, there were a number of invisible VFX shots needed to support the story. Our visual effects supervisor, Armand Vladau (The Now), was tapped by PictureShop VFX to oversee the pre-production and on set production in Vancouver for this 10-episode flagship show. Stacked with stars like Queen Latifah and Mark Duplass, Streetlights really shines with captivating performances from newcomers Chosen Jacobs (IT) and Kristine Froseth (The Society). We highly recommend you grab some popcorn and cuddle up with this one!</image:caption>
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    <loc>https://www.kalosstudios.com/night-hunter-1</loc>
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    <lastmod>2020-09-07</lastmod>
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      <image:title>Night Hunter</image:title>
      <image:caption>This thriller demanded some serious seamless VFX. Kalos was brought in by UMedia to provide a solution for a car chase and flipping sequence filmed in a green screen studio (for safety) but set on a highway in the snow-covered Midwest. To ensure background consistency across the sequence and control car speed, car tilt and roll, we knew we had to build out a bespoke procedural setup. Using a combination of Digital Matte Painting and compositing, our team created two massive 16K resolution backgrounds, complete with roads, blockades, signs, poles, and wires, for projection to simulate real-world speed and parallax. It was an incredibly fast turnaround, but the procedural setups allowed our artists to stay fast and flexible.</image:caption>
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      <image:title>Night Hunter</image:title>
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      <image:title>Night Hunter</image:title>
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      <image:title>Night Hunter</image:title>
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  <url>
    <loc>https://www.kalosstudios.com/childs-play-1</loc>
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    <priority>0.75</priority>
    <lastmod>2020-09-07</lastmod>
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      <image:title>Child's Play - Your New Best Friend</image:title>
      <image:caption>Orion Pictures rebooted the classic franchise, spinning a cautionary tale of AI and interconnectivity gone wrong while staying true to the gory, fun 80s horror. Kalos was brought on board, working with other vendors both locally and in New York, to polish up Chucky and bring his eyes to LED-life in one of the film’s pivotal sequences. Our artists cleaned up the practical doll, restoring the soft plastic look of the face, with additional CG for the eye replacement and animation. We also had a hand in the Buddi Bear eyes and some other invisible VFX shots throughout the sequence. There was a lot of face tracking, re-projections, animation and compositing involved, but we were glad contribute to such a cult classic!</image:caption>
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  <url>
    <loc>https://www.kalosstudios.com/404</loc>
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    <priority>0.75</priority>
    <lastmod>2020-09-19</lastmod>
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  <url>
    <loc>https://www.kalosstudios.com/silicon-valley</loc>
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    <priority>0.75</priority>
    <lastmod>2020-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f483fbe2982d81a961c3177/1602374212392-WMC25B40T3RFN9UWVHXR/sva_se06-sc2_00x.png</image:loc>
      <image:title>Silicon Valley - The Finale We Deserve</image:title>
      <image:caption>Heralded by audiences and critics alike, Silicon Valley is the tech satire we didn’t know we needed until we couldn’t imagine a world without it. A prescient, modern parable of tech startup trials and tribulations, the show bids fans a fond farewell with an exceptionally strong series finale. In the sixth and final season, the Pied Piper crew are on the verge of true Silicon Valley success, preparing for a global launch of PiperNet. With Barnstorm VFX LA as sole vendor, providing the stunning VFX we’ve all come to know and love throughout the series (Fiona the robot; the server room labyrinth), the sixth season is packed full of VFX shots, both visible and invisible. To handle the volume and quality of shots, Kalos was brought on to take the show across the finish line. We had blast working on it!</image:caption>
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  <url>
    <loc>https://www.kalosstudios.com/home</loc>
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    <priority>1.0</priority>
    <lastmod>2023-05-15</lastmod>
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    <loc>https://www.kalosstudios.com/drk</loc>
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    <priority>0.75</priority>
    <lastmod>2021-11-23</lastmod>
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      <image:title>Are You Afraid of the Dark</image:title>
      <image:caption>Before Stranger Things, there was Are You Afraid of the Dark? This classic 90s horror anthology was faithfully rebooted for a new generation of young thrill-seeking audiences. Kalos was approached to take on the narratively significant episode where the Society finally confronts the fabled and feared Shadowman. The team collaborate with showrunners to develop a unique and compelling visual language through VFX for the series. From CG creature enhancements, to dynamic shadow tendrils and particle FX, to face replacements and more—we pulled out all the stops on this one! Trailer and select shot breakdowns below!</image:caption>
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    <loc>https://www.kalosstudios.com/apply</loc>
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    <lastmod>2023-04-27</lastmod>
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    <loc>https://www.kalosstudios.com/apply-jr-comp</loc>
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    <lastmod>2022-01-27</lastmod>
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    <loc>https://www.kalosstudios.com/apply-mid-comp</loc>
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    <lastmod>2022-01-27</lastmod>
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  <url>
    <loc>https://www.kalosstudios.com/superman-lois-s1</loc>
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    <priority>0.75</priority>
    <lastmod>2022-01-18</lastmod>
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      <image:title>Superman &amp; Lois S.1</image:title>
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      <image:title>Superman &amp; Lois S.1</image:title>
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      <image:title>Superman &amp; Lois S.1</image:title>
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    <loc>https://www.kalosstudios.com/princessswitch3</loc>
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    <lastmod>2022-01-18</lastmod>
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      <image:title>Princess Switch 3</image:title>
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      <image:title>Princess Switch 3</image:title>
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      <image:title>Princess Switch 3</image:title>
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      <image:title>Princess Switch 3</image:title>
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      <image:title>Princess Switch 3</image:title>
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      <image:title>Princess Switch 3</image:title>
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    <loc>https://www.kalosstudios.com/the-now</loc>
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    <lastmod>2022-01-18</lastmod>
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      <image:title>The Now</image:title>
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      <image:title>The Now</image:title>
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      <image:title>The Now</image:title>
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    <loc>https://www.kalosstudios.com/apply-jr-fx</loc>
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    <lastmod>2022-01-27</lastmod>
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    <lastmod>2023-01-18</lastmod>
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    <loc>https://www.kalosstudios.com/apply-online</loc>
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    <lastmod>2023-04-26</lastmod>
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    <lastmod>2023-05-15</lastmod>
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